For Christina Johnson, piqué arabesque is the step that most epitomizes ballet. “What other one encapsulates it, when you think of a photo of a ballerina? Arabesque! It says it all,” says Johnson, a former principal dancer with Dance Theatre of Harlem and Complexions Contemporary Ballet who now coaches and teaches master classes all over the world. In this #masterclass tutorial, Johnson offers her advice for a beautifully suspended piqué arabesque. Watch the video and read the article at https:/
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Première arabesque sur demi‑pointe en 2 jours, sans professeur 😅 avis techniques !
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The Vaganova arabesques are quite simple. First arabesque is essentially a first and second position arm in Effacé extended to allongé. The head is kept profile looking over the arm. Second arabesque the downstage arm is extended in allongé to the front, the head looks over the downstage arm towards the audience. Third arabesque is done en croisé with the upstage arm extended to the downstage corner. Fourth arabesque is the hardest arabesque to develop and can be helped by working on the fourth
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